Breathing

I have been watching my son’s breaths since he was born, 22 years ago in a cabin in the woods, welcomed by his sister and brother and father, welcomed to a circle of light and peace by his midwives.

Nights watching your child breathe can be long sometimes. The terrors of pneumonia, the times I sat up holding him against my body, willing his breath to continue, in, out, in, moment by moment while the moon crossed the sky and the dawn slowly unfolded, with birdsong & exhaustion—those were times at the edge.

I almost fell. It was an April morning the last time I seriously considered an early exit from this beautiful and painful world, an exit in which I felt I had to take my fragile child. I am a good mother.

I sought and received help. But I have faced inner and outer bleakness, and these nights as I set up machines to help my boy relax and breathe and sleep, as I adjust the mask and hoses, as I time my heartbeats by the pulse of oxygen, and do not sleep, I consider this fragile world.

There’s a rush of image and information. There’s my throat closing with grief.

My son stopped speaking during the bombing of Gaza two years ago, first telling me he loved all his family but, as he said, “thinking hurts too much”. Be-fore that he had begged me to save the children, to stop the walls from falling, to deal with the wolves that came out of the air and frightened him.

Last night I read of two NATO bombings in Libya and I gasped with pain. Yes, one was the strike—such an innocuous word, like the lighting of a birthday candle—that murdered Khadafi’s 29 year old youngest son, and three grand-children under 12.

I felt the walls falling, as I do each time I see those dry reports across a geography of pain—a wedding party, a young soldier, a marketplace, a dance, a school, a hospital.

The other report from Libya was of the bombing of a school for children who, like my son, have Down Syndrome.

I remember a photo from Iraq, maybe 5 years ago, from such a school. Smiling children who looked a bit like Gabe danced in a careful circle, wearing bright paper hats, as the sky shattered with bombs.

Sometimes my son’s efforts to get oxygen to his heart and fingertips and brain only get him to a bit above 60% of the 100% oxygen the human body craves.

I think we are all gasping for air now. Gasping for hope, compassion, sense.

I watched the Royal Wedding as I timed Gabe’s breaths and monitored the machines. Such lovely lace, such luxurious satin. How sweet the little brides-maids, with their lily of the valley crowns, and how pretty the row of trees. Hornbeam trees, beautiful trees of the ancient British forests, brought into the abbey to make a pretty, artificial forest to delight our eyes. Oh, I love romance and happily ever after. Yes, I once was sure I was a lost princess, when I was four.

It passed the time, this wedding. For a while I didn’t think of children dying or truth tellers imprisoned, of babies without their mothers, of lost elders, of hungry people right on my own mainstreet, of despair. I just thought, gratefully, how pretty, my mind a wash of white satin and bridal bouquets.

And then I kept trying to breathe myself, adjusting the machines, the darkness there. My son was sleeping well. Dawn came again, with birdsong and a wash of pink light.

And I don’t know, really, what to do with this precious world but to love it. And I don’t know what to do with all the wrongs I see but name them.

And keep breathing.

A Revolution of the Beautiful

I realized the other night, sorting through articles & photographs, calming my despair over photos of oilslicked birds & stories of death, loss, vigilance--I realized that in fact I was born into an atmosphere of grief, into a world of mourning, into a culture shell shocked, guilt ridden, & desperate.

And so, perhaps, were you.

When I was born, six decades ago, in a military hospital while my father waited on call for duty across the world, when I was born my mother sobbed inconsolably. Because, she said, I was a girl.
I would have to bear the pains of womanhood in this world, where her mother had died not a year before from a botched operation.

Yes, her labor had been hard. I bear to this day a memento of my hard delivery.

And yes, she was expected to birth a son. What to do with the football and the cute boy-blue clothing?

My grandfather sent small pink roses.

So I came in on a wave of grief, and I learned to sleep to the sound of trains and bombers, and I learned to hate the sound of air raid sirens, and I loved the Japanese hillsides and not so much the Mojave plains, where we waited for the end of the world in the early 1960's. As an officer's family we'd have nice quarters in the secret underground bunkers, waiting out the post nuclear radioactivity. No problem.

I loved the flowers of the high desert and the snakes. And we didn't die, and my father warned me against commies and we fought our own sort of cold war. My brothers became soldiers.

One went to jail for murder. One, after his time in the missile silos, retired to raise corn and cows in the Mississippi bottoms. And life goes on.

And I've lived six decades of wars, learning geography through atrocity stories.

You too, maybe. Or two decades, or four, or seven.

We've been huddled here in a sort of darkness, trying to deal with it all the best we can, at the edge of this stream of sorrow and joy.

The young travelers come by, and the old ones, in increasing streams. Words of loss come from across the planet and echo everywhere. Volcanic dust, earthquakes, white phosphorous, oil slicks.

How do we go on? How do we hold to an entire world of passion and suffering and not go under, and not give up?

No, I don't have the answers. But I think we sit with it, as we would sit with a crying child through the night, looking out into the trees for light dawning.

I think we play with it, when we can, like the group of people in Belgium--200 strong, who arranged a sudden dance/son explosion in the middle of the Antwerp train station, singing and dancing to a song from the Sound of Music.

Or like the soldiers in Afghanistan who posted a preposterous and silly video taking off from Lady Gaga's Telephone. With their cardboard and duct tape costumes, in the moments between...oh, death and murder, boredom, despair. They were good dancers.

I think we try in every creative, every grateful, every compassionate, every determined way to keep going. To listen to what gives us joy. To act on that knowledge.

It won't change the world. It won't stop the storms. But maybe we can transform some moment, some thought, some action.

I walked through the cemetery with my dog and sat beneath a dying cedar tree to watch a young hawk fly over the graves and the flowers. I watched a long while, the early sun warm on my face, the scent of mown grass in my nostrils.

Before I become part of the dust that softens the edges of this world, before I am still, I want to care more, dance more, sing more, watch more free flying hawks, love more.

And since every breath could be a last one, and every word a last one, I am not going to be caught saying "I give up". With every breath I am going to be saying Yes. Or at least...maybe. And "I love" and "how beautiful" and "let's be silly,let's make a revolution of the beautiful, of small pink roses, of courage".

And what will you be saying?

(I wrote this a few months ago for the newspaper my partner and I publish each month. I felt I wanted to share it here as well. The photo is of one of my supervisors, checking to make certain the newspapers are cared for.)